By James Wilkes (auth.)
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Additional info for A Fractured Landscape of Modernity: Culture and Conflict in the Isle of Purbeck
Standing above the ruins of the cottage, on the ridge of Butts’s ‘green road’ into the Hollow Land,26 and looking into the valley behind, a long, low brick structure can be seen.
Second line: The militarised bathing machine Behind the reception desk in the Manor House Hotel in Studland village is a large copy of a painting by Harry Clow, an illustrator of military history books. It shows Churchill, Eisenhower, Montgomery and King George VI observing the onslaught of landing craft, troops and tanks on a beach entangled with barbed wire. A degree of artistic licence has been taken, as the Allied leaders did not lean on a set of railings in the open air, but watched proceedings from Fort Henry, a massive observation bunker built specially for the occasion on top of Redend Point.
E. 58 Moore provided Fry and Bell with an intellectual 28 A Fractured Landscape of Modernity framework which permitted them to value works of art as ‘a class of objects so powerful and direct as means to spiritual exaltation that all minor merits are inconsiderable’, as Bell wrote in his popular book Art,59 and furnished them with a morality which valued the effect produced by an artwork on a single individual as a good in itself, over and above any social effects it might have. This philosophical justiﬁcation seems to have been enough for Clive Bell.
A Fractured Landscape of Modernity: Culture and Conflict in the Isle of Purbeck by James Wilkes (auth.)